Ausstellungseröffnung Martin Neumaier "ewig" Kunstverein Heppenheim

KVHP

Zur Ausstellungseröffnung

MARTIN NEUMAIER

ewig


am Freitag, den 4. Februar 2011,
um 19 Uhr, laden wir Sie und
Ihre Freunde herzlich ein.

KUNSTVEREIN HEPPENHEIM E.V.
Bahnhofstraße 1, 64646 Heppenheim
www.kunstverein-heppenheim.de
info@kunstverein-heppenheim.de

TOM HUMPHREYS/PRO CHOICE/26.01./20:00

Tom Humphreys

Opening Wednesday, 26.01.11, 20:00


27.01.11 - 27.02.11

Pro Choice
Zedlitzgasse 3
1010 Wien

www.prochoice.at
prochoice.wien@gmail.com
+43 650 840 78 12

Saturday 3-6 pm
and by appointment

book launch of Intolerance with Willem de Rooij & a performance by Eike Wittrock



Invitation to the
book launch of Intolerance
with Willem de Rooij
&
a performance by Eike Wittrock
“Feathers and Dance”

daadgalerie
Zimmerstr. 90/ 91
10117 Berlin
Mon-Sat 11am - 6pm
www.daadgalerie.de

Thursday, 27 January 2011 at 7pm

rsvp to artpress@uteweingarten.de

Press Information
Following the exhibition “Intolerance” at the Neue Nationalgalerie Berlin (from 18 September 2010 to 2 January 2011) – a visual investigation of the triangular relationship between early global trade, conflict, and the attraction of opposites represented in the form of a large-format collage of original artworks – Willem de Rooij and the daadgalerie present the three-volume publication Intolerance. De Rooij’s installation in the Neue Nationalgalerie brought the naturalistic depictions of birds of the Dutch genre painter Melchior d’Hondecoeter into a spatial relationship with Hawaiian feathered objects from the 18th/19th century – presenting in total some 29 works from 21 public collections in Europe. The accompanying publication, edited by Willem de Rooij and Benjamin Meyer-Krahmer for the Staatlichen Museen zu Berlin, consists of three volumes, which are dedicated to the different aspects of the project.

Additionally, there will be a performance-lecture by the dramaturge and theatre studies scholar Eike Wittrock examining the use of feathers within the development of aesthetics, economics, and colonial history in theater and performative contexts, such as dance, ballet, and Hollywood films.

Volume I: Willem De Rooij – Intolerance / The first volume documents the installation “Intolerance” at the Neue Nationalgalerie with forty installation views. Juliane Rebentisch (Goethe-University Frankfurt, and author of, among others, Ästhetik der Installation, Frankfurt am Main, 2003) deals with De Rooij’s work in general and with the installation “Intolerance” in specific. A text by Willem de Rooij and Benjamin Meyer-Krahmer (Freie University Berlin, author of, among others, Dieter Roth: Observations of the Self as Artistic Creative Process, Munich, 2007) explores the social and political conditions under which both the Hawaiian feathered objects of the 18th and 19th centuries and the 17th century Dutch bird paintings of Melchior d’Hondecoeter were produced.

Volume II: Melchior d’Hondecoeter – 1636-1695 / Volume II offers up the first comprehensive publication dedicated to the work of Dutch painter Melchior d’Hondecoeter. With over 80 color illustrations, the work of the painter is thoroughly analyzed with essays from Marrigje Rikken and Lisanne Wepler (art historians and d’Hondecoeter experts).

Volume III: Hawaiian Featherwork / The third volume is the first index of all of the known feathered objects that were created in Hawaii before 1900. A more extensive essay from Adrienne Kaeppler (anthropologist and curator of Oceanic Ethnology at the National Museum of Natural History/National Museum of Man, Smithsonian Institution in Washington, DC) and over 260 illustrations of heads, helmets, collars, and coats give the reader a comprehensive view into the wonderful world and meanings of these objects.

The publication Intolerance is edited by Willem de Rooij and Benjamin Meyer-Krahmer for the Staatlichen Museen zu Berlin. The three-volume box set was designed by Martha Stutteregger and published by Feymedia. In bookstores it is available for 95 Euro (ISBN 978-3-941459-23-6)

www.intolerance-berlin.de

Willem de Rooij (*1969 in Beverwijk, Holland), lives and works in Berlin. From 1995 to 2006 he collaborated with Jeroen de Rijke on numerous international solo and group exhibitions. In 2005, they represented The Netherlands at the Biennale di Venezia. De Rooij had solo exhibitions at the K 21 in Düsseldorf in 2007 and at the Museo d'Arte Moderna di Bologna in 2008. In 2006, Willem de Rooij was a guest of the DAAD’s Berliner Künstlerprogramm. De Rooij is a tutor at De Ateliers in Amsterdam since 2002, and professor of fine arts at the Städelschule in Frankfurt am Main since 2006.

Eike Wittrock studied musicology and theater. Currently he is working on his PhD on ballet and ornament in the 19th century at the DFG Graduiertenkolleg “Schriftbildlichkeit” at the Freie Universität, Berlin. As a dramaturge, he works with Daniel Cremer, Jeremy Wade, Johannes Müller, and Peaches. In 2009, with Jeremy Wade he curated the Context Festival #6 “Politics of Ecstasy / Altered States of Presence” at the Hebbel am Ufer.

press contact:
artpress – Ute Weingarten
Elisabethkirchstr. 15, 10115 Berlin
Tel. +49 30 21 96 18-43
artpress@uteweingarten.de
www.artpress-uteweingarten.de

Ready to Move?

Ready to Move?
HL 119.

Die nun fast leere Wohnung in der Hanauer 119 will vor ihrem Ende noch einmal künstlerisch belebt und reflektiert werden. Angelegt als zweiwöchiges Projekt werden jede Woche neue Künstler zu Gast sein. Für diese Zeit sollen sie in der Hanauer 119 nicht nur arbeiten, sondern dürfen für diese Zeit dort auch wohnen. Die Künstler, die dort für eine Woche arbeiten und leben, setzten sich mit den Spezifika und Gegebenheiten des Ortes (Geschichte(n) des Zimmers, der Wohnung, des Hauses, oder den Gentrifizierungsprozessen des Ostends) auseinander. Am Ende jeder Woche gibt es jeweils samstags eine Vernissage, die neugierigen Besuchern einen Einblick in die bis dato entstandenen Projekte bzw. in das Work in Progress der dort residierenden KünstlerInnen ermöglicht.

The almost empty flat at Hanauerlandstrasse 119 will be revived and relflected by a group of artists. In each week artists are asked to live in the flat for a week working with the space and history of the flat, the house and the region(Ostend) itself.

The 2 weeks project will be divided into each week followed by opening to public on saturday of each week.

Vernissage: Sa. 22.1., 20:00 Uhr
Jan Stüben, Peter Kasselkus, Jan Buchczik, Ini Zikuschka, Éric Languillay, Raul Gschrey Ximena Aburto Felis
mit Musik von Initials DC und Childhood Bedrooms
Performance von ArtyChock!

Fininissage: Sa. 29.1. 20:00 Uhr
Jol Thomas, Jost von Harleßem, Tobias Donat,Young Lee, Martin Tanzek, Valentina Knezevic
Und zugleich große Abschlussparty mit Musik von Hagfedc und „voyage ecoute" & Performances von ArtyChock!

Franziska von Stenglin - And just like that, the tension brakes.

Franziska von Stenglin

And just like that, the tension brakes.

Opening Tuesday 1st of February, 8pm

Exhibition from the 1st of February till the 1st of March

Platform Sarai 
Schweizer Strasse 23 im Hof 
60594 Frankfurt-Sachsenhausen
by appointment only: +49 1769684479

April Gertler - Prisoner of damp patches

Prisoner of damp patches

Solo exhibition by April Gertler

Basement Project Space
Camden Quay
Cork City, Ireland
Opening January 27th, 6pm

http://basementprojectspace.wordpress.com/

SCHLOSS FRANKFURT SCHAU LAURA SCHAWELKA

SCHLOSS 
FRANKFURT 
SCHAU
LAURA 
SCHAWELKA

Ausstellung
26. Januar bis 3. Juni 2011

Eröffnung
Dienstag 25. Januar 2011, 18 Uhr

Es spricht Prof. Nikolaus Hirsch, 
Rektor der HfBK Städelschule

Öffnungszeiten
Montag bis Freitag 8 - 18 Uhr

Presse- und Informationsamt 
der Stadt Frankfurt am Main
Römerberg 32
60311 Frankfurt am Main

---
list of anniversary gifts 
(traditional US, traditional UK, modern US)
http://en.wikipedia.org/wiki/Anniversary_gifts

Winter School Middle East


The Winter School Middle East is a localized, small-scale hub, which regularly performs cultural and educational activities in collaboration with local NGOs, schools, and individuals, and -– through its new, long-term presence – houses a critical platform for exchange.

Being launched as an idea in 2007, the Winter School Middle East was set up as a roaming, mobile institution that has undertaken a series of workshops, seminars, mini-schools and conferences since its inception in January 2008: ‘“Learning from Dubai’” (2008, Dubai), dealing with the Labour Housing issue, and ‘Spaces and Scales of Knowledge’ (2009, Dubai), dealing with the question of institution building, both in collaboration with the Architectural Association (London), The Third Line gallery (Dubai), and the American University of Sharjah. In 2010, the Winter School is moving to Kuwait for a longer-term involvement and local engagement regarding the setting up of a platform for critical exchange.
Combining the Winter School’’s workshop methodology with local initiatives, this intensive workshop-based programme was and continues to be run as a design- and discourse-led curriculum that combines conceptual and spatial research in the process of radical criticism and the rigorous production of ideas. Students and staff work in teams of up to ten in which they develop individual and group projects. These projects will be tested against the criticism of the group, but also against the knowledge and expertise of local protagonists. Each tutor-led unit investigates different aspects of the (emerging) spatial realities of the Gulf region, with a strong local and site(location)-specific focus.
Instead of presenting a set of self-referential objects, it addressed excessive urban development, pollution, unilateral politics, and the misuse, abuse and exhaustion of natural resources. It seems that, here, artistic and spatial practices manage and assume responsibility regarding that what politics is often incapable of: outright critique.

www.winterschoolmiddleeast.org
The Winter School Middle East
P.O.Box : 530
Code No. : 45706
Kuwait, Al-Surra

UDIO FINE ARTS - Winter

UDIO FINE ARTS
Winter

19. Januar bis 25. März 2011

Herzliche Einladung zur ersten Ausstellungseröffnung der neuen Produzentengalerie UDIO FINE ARTS

OPENING
DIENSTAG, 18.01.2011
20.00

JOHANNA BIELIGK
ANKE DYES
ROMAN GRANEIST
ALEXANDER HEMPEL
KLAUS KAMPTNER
ANDREA LEGIEHN
FRIEDRICH LISSMANN
HANS-CHRISTIAN LOTZ
TILL MEGERLE
INKA MEISSNER
STEFANIE PRETNAR

ERÖFFNUNG
basis Projektraum, Elbestraße 10
60329 Frankfurt am Main

AUSSTELLUNG
Klinikum der Johann Wolfgang Goethe-Universität
Station für Geburtshilfe, Haus 14, 1.OG
60590 Frankfurt am Main
OPEN 24 HOURS

Xue Liu: OldBoy

Xue Liu's Ausstellung "OldBoy" von 18. Januar bis 19. Februar
Sie sind zur Vernissage am Montag, dem 17. Januar, von 19 bis 21 Uhr herzlich eingeladen. Einleitend spricht Florian Heinke.
1822-Forum
Fahrgasse 9
60311 Frankfurt am Main

When you close your eyes I disappear

Opening: 

January 20 at 7:00pm
Diamantenbörse Shopfront

Bianca Baldi
Samuel Forsythe
Silje Linge Haaland
Veit Laurent Kurz
Erik Larsson
Santiago Mostyn
Filippa Pettersson

When you close your eyes I disappear

Narrated by Inger Wold Lund


***

7 artists were invited to participate in a journey ending in an exhibition. The journey was not a regular journey; it did not physically move anywhere at all. The journey was meant to travel through mythopoetic landscapes, imaginary sunsets and memories of other times. Inviting the artists, the hope was that we together would explore the fiction of relationships and their surroundings.

The artists have freely related to the narratives constructed as we went along. Presented in the exhibition are 7 independent works.

Also presented are selected notes from the journey.

***

22-27 January. 14:00-18:00.

Diamantenbörse Shopfront
Stephanerstraße 1-3
Frankfurt am Main, Germany

Kirsten Reibold / Versuch einer Vertikalen

Kirsten Reibold / Versuch einer Vertikalen
23. Januar bis 6. März 2011

Eröffnung / Samstag, 22. Januar 2011 / 17 bis 20 Uhr
Künstlergespräch / Sonntag, 30. Januar 2011 / 15 Uhr

Drei Monitore sind sich, wie zu einer Konferenz, gegenseitig zugewandt. Eine Krawatte bewegt sich vertikal durch zwei der Bildschirme. Durch den dritten läuft eine Text. In ihm vermischt sich Utopie und Wissenschaft bezüglich einer Reise zum Mond- mit oder ohne Aufzug. Es spielt die Melodie eines von Hanns Eisler komponierten Liedes.

Three monitors are setup as in a conference. Abstracted by increased contrast a tie moves vertically through two of the screens. On the third screen a text scrolls from bottom to top. In it utopia and science intermingle in relation to a journey to the moon – with or without an elevator. A Melodie of a song composed by Hanns Eisler is being played.

Nassauischer Kunstverein Wiesbaden
Wilhelmstraße 15
D-65185 Wiesbaden

Dienstag, 14 bis 20 Uhr
Mittwoch bis Freitag, 14 bis 18 Uhr
Samstag und Sonntag, 11 bis 18 Uhr

Martin Flemming - from the secret sketchbook of an unknown architect

*********************************
Martin Flemming
from the secret sketchbook of an unknown architect
18. Januar bis 04. März 2011
Mo-Sa 08:00–21:00 Uhr
 
Herzliche Einladung zur Ausstellungseröffnung:
Montag, 17. Januar 2011, 19:30 Uhr
im Atrium der Hochschule Sankt Georgen
durch Viera Pirker
 
Philosophisch-Theologische Hochschule Sankt Georgen
Offenbacher Landstraße 224
60599 Frankfurt
*********************************

>artpops (1)< Freitag, 14.01.2011, ab 22.00 Uhr

artpops (1)
Musik: Michael Riedel & Lionel Röhrscheid + guest T.Thorstensen
22.00 Freitag, 14.01.2011
Montez Pik-Dame Elbestraße 31 60329 Frankfurt

Tanzperformance von Taochen Wang

Taochen Wang - Performance

11.01.2011
21:00 Platform Sarai
Schweizer Str. 23, im Hof
D-60594 Frankfurt

second show - Freitag, 14.01.2011, Strzelski Galerie - Stuttgart

second show - Freitag, 14.01.2011, Strzelski Galerie - Stuttgart
Ronald Franke, Sybille Hotz, Thomas Nolden, Stefan Wieland



Viola Bittl / Xue Liu - Finnissage / Taochen Wang - Tanzperformance

Viola Bittl / Xue Liu / Taochen Wang

FRANKFURT MON AMOUR

Finissage: 11.01.2011, 20:00
Taochen Wang wird eine Tanzperformance vorführen.

Platform Sarai
Schweizer Str. 23, im Hof

D-60594 Frankfurt-Sachsenhausen


Ein Katalog der Ausstellung ist verfügbar.

Performance/Interventionsraum Stuttgart


Zeitraumkunstkrümmung


Performance Happyning im Interventionsraum Stuttgart

Do 13. Januar 2011, 20.30 Uhr
Eintritt frei


Patrick Alt (Berlin) PIN Reading Performance
Der Maler bewaffnet mit Laserpinsel.

Daniel Herleth (Stuttgart/Berlin), Bärbel Trautwein (Berlin)
Ingeborg schreibt mit
Stenoschreibende Buchstaben Künstler.

Marco Schmitt (Stuttgart) USQUE AD FINEM (Bis zum bitteren Ende)
Der Künstler singt heißkalt im Medienfeuer.
Das Performance Happyning ist co-kuratiert von Nora Moschüring.

Vier Künstler aus Stuttgart und Berlin bringen zusammen, was nicht zusammen zu bringen ist. Einen Raum, eine Kunstraumzeitkrümmung, eine Raumkunstzeitkrümmung, eine Zeitkunstraumkrümmung, eine Raumzeitkunstkrümmung und eine Kunstzeitraumkrümmung. Der Interventionsraum wird für die Zeit des Happynings eine Zeitraumkunstkrümmung.

Interventionsraum
Marienstraße 15
Stuttgart-Stadtmitte


DISCONNECT - Installation and Performance

DISCONNECT
Installation and Performance

Alexandros Tsolakis
Bastian Wibranek
Sebastian Kriegsmann

Corner Gallery of MA* Diamantenbörse.

Opening: Sonntag, 9. Januar · 20:00 - 23:00
Closing: Friday, 14. Januar · 20:00 - 23:00

MA* ehemalige Diamantenbörse
Stephanstr. 1-3
Frankfurt, Germany

VANDEL 7

VANDEL 7. SOZIALGESTALTUNG: LIEBE PLUS FRIEDHOF

PATRICK ALT.
JANNIS MARWITZ.
CHRISTIAN ROTHMALER.
PHILIPP SCHWALB.
HENNING STRASSBURGER

ERÖFFNUNG: FREITAG, 14. JANUAR 2011, 20 UHR
14. JANUAR - 13. FEBRUAR 2011
GEÖFFNET: MO - FR 14 - 17 UHR, SO UND FEIERTAGEN 11- 12.30 UHR

HOSPITALHOF STUTTGART
BÜCHSENSTRAßE
70174 STUTTGART
WWW.HOSPITALHOF.DE

Anna Ostoya - Notes, Copies and Masterpieces

Notes, Copies and Masterpieces

Anna Ostoya

Exhibition
January 8 through
February 19, 2011

Opening
Saturday January 8
5 – 7 pm.

tegenboschvanvreden is pleased to invite you to the opening of Autopis II. Notes, Copies and Masterpieces, the first solo exhibition of work by Anna Ostoya in the Netherlands. The artist presents a series of new works as a continuation of her open-ended investigation into the avant-garde concepts in art from the early twentieth century to the present.